NORMAN SOLOMON – The saying that “justice delayed is justice denied” has a parallel for news media and war — journalism delayed is journalism denied. The refusal of the Times to cover the story after it broke was journalistic malpractice, helping to make it little more than a fleeting one-day story instead of the subject of focused national discourse that it should have been.
Biden Is Quietly Funding Nuclear Weapons Upgrades That Could Imperil the Planet
JONATHAN KING and RICHARD KRUSHNIC – The continued funding of nuclear weapons development is a pork barrel of herculean proportions, funneling tax dollars from all Americans into the pockets of the nuclear weapons industry. We suspect that the Biden administration’s silence represents their decision to keep this boondoggle out of public view.
Corporate Profiteering Destroyed the Baltimore Bridge
SONALI KOLHATKAR – It’s critically important to contextualize accidents that are the result of corporations putting profits over safety and people. These incidents are not isolated or unpredictable. They are the cost of doing business—a cost that the rest of us pay for in money and lives.
What’s So Green About Burning Trees? The False Promise of Biomass Energy
SAM DAVIS – Bioenergy companies are clear-cutting American forests to heat and electrify Europe. This broken system harms public health, the environment, and the climate.
A One-State Solution Could Transform the World
ROBERT C. KOEHLER – Probably fewer ideas are treated with more contempt in today’s world than . . . ahem: a one-state solution for Palestine and Israel, with, good God, every resident equally valued, equally free.
The Double Edge Theater’s Project to ‘Rematriate Land’
APRIL M. SHORT – The Double Edge Theatre, a cultural cooperative and ensemble collective in Ashfield, Massachusetts, offers an example of how artists have successfully reimagined the economy and created networks of mutual support. The company was founded in Boston in 1982, but by the end of the 1980s, gentrification and rising costs in the city made it difficult for the group to enact its creative visions, according to Carlos Uriona, an actor and the theater’s cultural strategist. This economic pressure became the catalyst for a unique model leading to a community-supported economy that has become a successful haven for the arts for decades.