APRIL M. SHORT – The Double Edge Theatre, a cultural cooperative and ensemble collective in Ashfield, Massachusetts, offers an example of how artists have successfully reimagined the economy and created networks of mutual support. The company was founded in Boston in 1982, but by the end of the 1980s, gentrification and rising costs in the city made it difficult for the group to enact its creative visions, according to Carlos Uriona, an actor and the theater’s cultural strategist. This economic pressure became the catalyst for a unique model leading to a community-supported economy that has become a successful haven for the arts for decades.
Tag: Latin America
Why Chavez Won in Venezuela: A Peacemaker’s Inside View
LISA SULLIVAN – My inbox began to fill up with similar inquiries, many from people who I had met when leading delegations here to Venezuela, my home of 27 years. They were confused, wondering why Chavez was going to lose, die, or steal the elections, or all of the above. Those were, after all, the only stories to be found, countered by that of the great white hope in the form of a young, skinny opponent (the adjectives repeated ad nausea by the media describe opposition candidate Capriles).
Blind Faith in Militarism Serves U.S. Poorly
MICHAEL TRUE – Blind faith — adhering to a proposition with no reasonable justification of its truth — is more dangerous for politicians than it is for religionists. True believers may acknowledge their blind faith in religious dogma, while foreign policy wonks seldom acknowledge their blind faith in political dogma. Yet many legislators and administrators — as well as columnists and academics — adhere to the dogma of “military supremacy,†which dominates U.S. foreign policy. American tax payers, who have invested heavily in that dogma, may have serious questions about whether it works. The evidence?